MY BEAUTIFUL DARK TWISTED FANTASY

After recording an album-length, Auto-Tuned sigh, Kanye West is ready to lớn celebrate again, but not in the way we’ve come to expect.

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My Beautiful Dark Twisted Fantasy isn’t idly titled. It’s a sinister, orchestral, hugely grandiose affair that owes as much to the artist’s self-aggrandizing ego as khổng lồ the voracious id that would destroy it publicly. Exhibit A: West khổng lồ album cover portraitist George Condo: “Look, I’ma let you finish, but can you make me look even douchier?”

A princely narcissist among narcissists, West has never been afraid to lớn marvel at, pose questions to, or generally bask in the inner folds of his psyche, but there was only one way to lớn interpret the early message sent by “Runaway.” He was calling himself an asshole, in the chorus of an epic, piano-driven, ear-worming single. Fantasy is filled with similar moments, as if West is working from a checklist of his faults. Workaholic. Commitment phobe. Loose cannon. Substance abuser. On “Dark Fantasy,” the album’s beyond luxe opener, he raps: “The plan was lớn drink until the pain over / But what’s worse, the pain or the hangover? / Fresh air, rolling down the window / Too many Urkels on your team, that’s why your Wins-low.” See what he did there? Loss becomes win.Bạn đang xem: My beautiful dark twisted fantasy

The in-between is just as dark, twisted, và beautiful. There’s “Power,” a contemplation on fame and obsolescence that cleverly quotes King Crimson’s “21st Century Schizoid Man.” There’s “All of the Lights,” wrangling everyone from Elton John lớn Rihanna to help tell a story about a man whose selfishness drives his family away. There’s “Lost in the World,” which transforms Bon Iver’s melancholic “Woods” into a perversely bright experimental dance track.

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Fantasy isn’t a flawless album. Too many songs hover around or skate past the six-minute mark. The guest menu on posse cuts “Monster” và “So Appalled” could’ve been pared down. West could’ve skipped the three-minute vocoder solo on “Runaway” altogether.

But West isn’t claiming lớn be flawless anymore. He’s trying khổng lồ make a masterpiece. Trying to lớn be honest with us. Trying lớn be honest with himself. Trying khổng lồ figure out if he’s closer to God or lớn something else entirely. Far more important than his aim, however, is the fact that he tries at all. The Grammys, the platinum packs, the tickets stub from all the arenas he’s rocked — they aren’t laurels lớn be rested on. They’re a jagged, unbalanced bed that West could spend a lifetime squirming over, perhaps finding only 60 or so minutes of thorny comfort at a time. That’s eternally daunting news for him. But for us, it’s a blessing.

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